Ironweed (1984 Pulitzer Prize) Page 3

“She ain’t got only one name.”

  “Okay, you don’t want to tell me, it’s all right.”

  “You goddamn right it’s all right.”

  “We gonna eat at the mission? I’m hungry.”

  “We could eat, why not? We’re sober, so he’ll let us in, the bastard. I ate there the other night, had a bowl of soup because I was starvin’. But god it was sour. Them driedout bums that live there, they sit down and eat like fuckin’ pigs, and everything that’s left they throw in the pot and give it to you. Slop.”

  “He puts out a good meal, though.”

  “He does in a pig’s ass.”

  “Wonderful.”

  “Pig’s ass. And he won’t feed you till you listen to him preach. I watch the old bums sittin’ there and I wonder about them. What are you all doin’, sittin’ through his bullshit? But they’s all tired and old, they’s all drunks. They don’t believe in nothin’. They’s just hungry.”

  “I believe in somethin’,” Rudy said. “I’m a Catholic.”

  “Well so am I. What the hell has that got to do with it?”

  The bus rolled south on Broadway following the old trolley tracks, down through Menands and into North Albany, past Simmons Machine, the Albany Felt Mill, the Bond Bakery, the Eastern Tablet Company, the Albany Paper Works. And then the bus stopped at North Third Street to pick up a passenger and Francis looked out the window at the old neighborhood he could not avoid seeing. He saw where North Street began and then sloped down toward the canal bed, the lumber district, the flats, the river. Brady’s saloon was still on the corner. Was Brady alive? Pretty good pitcher. Played ball for Boston in 1912, same year Francis was with Washington. And when the King quit the game he opened the saloon. Two bigleaguers from Albany and they both wind up on the same street. Nick’s delicatessen, new to Francis, was next to Brady’s, and in front of it children in false faces—a clown, a spook, a monster—were playing hopscotch. One child hopped in and out of chalked squares, and Francis remembered it was Halloween, when spooks made house calls and the dead walked abroad.

  “I used to live down at the foot of that street,” Francis told Rudy, and then wondered why he’d bothered. He had no desire to tell Rudy anything intimate about his life. Yet working next to the simpleton all day, throwing dirt on dead people in erratic rhythm with him, had generated a bond that Francis found strange. Rudy, a friend for about two weeks, now seemed to Francis a fellow traveler on a journey to a nameless destination in another country. He was simple, hopeless and lost, as lost as Francis himself, though somewhat younger, dying of cancer, afloat in ignorance, weighted with stupidity, inane, sheeplike, and given to fits of weeping over his lostness; and yet there was something in him that buoyed Francis’s spirit. They were both questing for the behavior that was proper to their station and their unutterable dreams. They both knew intimately the etiquette, the taboos, the protocol of bums. By their talk to each other they understood that they shared a belief in the brotherhood of the desolate; yet in the scars of their eyes they confirmed that no such fraternity had ever existed, that the only brotherhood they belonged to was the one that asked that enduring question: How do I get through the next twenty minutes? They feared drys, cops, jailers, bosses, moralists, crazies, truth-tellers, and one another. They loved storytellers, liars, whores, fighters, singers, collie dogs that wagged their tails, and generous bandits. Rudy, thought Francis: he’s just a bum, but who ain’t?

  “You live there a long time?” Rudy asked.

  “Eighteen years,” Francis said. “The old lock was just down from my house.”

  “What kind of lock?”

  “On the Erie Canal, you goddamn dimwit. I could throw a stone from my stoop twenty feet over the other side of the canal.”

  “I never saw the canal, but I seen the river.”

  “The river was a little ways further over. Still is. The lumber district’s gone and all that’s left is the flats where they filled the canal in. Jungle town been built up on ‘em right down there. I stayed there one night last week with an old bo, a pal of mine. Tracks run right past it, same tracks I went west on out to Dayton to play ball. I hit .387 that year.”

  “What year was that?”

  “‘Oh-one.”

  “I was five years old,” Rudy said.

  “How old are you now, about eight?”

  They passed the old carbarns at Erie Street, all full of buses. Buildings a different color, and more of ‘em, but it looks a lot like it looked in ‘16. The trolley full of scabs and soldiers left this barn that day in ‘01 and rocketed arrogantly down Broadway, the street supine and yielding all the way to downtown. But then at Columbia and Broadway the street changed its pose: it became volatile with the rage of strikers and their women, who trapped the car at that corner between two blazing bedsheets which Francis helped to light on the overhead electric wire. Soldiers on horses guarded the trolley; troops with rifles rode on it. But every scabby-souled one of them was trapped between pillars of fire when Francis pulled back, wound up his educated right arm, and let fly that smooth round stone the weight of a baseball, and brained the scab working as the trolley conductor. The troops saw more stones coming and fired back at the mob, hitting two men who fell in fatal slumps; but not Francis, who ran down to the railroad tracks and then north along them till his lungs blew out. He pitched forward into a ditch and waited about nine years to see if they were on his tail, and they weren’t, but his brother Chick and his buddies Patsy McCall and Martin Daugherty were; and when the three of them reached his ditch they all ran north, up past the lumberyards in the district, and found refuge with Iron Joe Farrell, Francis’s father-in-law, who bossed the filtration plant that made Hudson River water drinkable for Albany folk. And after a while, when he knew for sure he couldn’t stay around Albany because the scab was surely dead, Francis hopped a train going north, for he couldn’t get a westbound without going back down into that wild city. But it was all right. He went north and then he walked awhile and found his way to some westbound tracks, and went west on them, all the way west to Dayton, O-hi-o.

  That scab was the first man Francis Phelan ever killed. His name was Harold Allen and he was a single man from Worcester, Massachusetts, a member of the IOOF, of Scotch-Irish stock, twenty-nine years old, two years of college, veteran of the Spanish-American War who had seen no combat, an itinerant house painter who found work in Albany as a strikebreaker and who was now sitting across the aisle of the bus from Francis, dressed in a long black coat and a motorman’s cap.

  Why did you kill me? was the question Harold Allen’s eyes put to Francis.

  “Didn’t mean to kill you,” Francis said.

  Was that why you threw that stone the size of a potato and broke open my skull? My brains flowed out and I died.

  “You deserved what you got. Scabs get what they ask for. I was right in what I did.”

  Then you feel no remorse at all.

  “You bastards takin’ our jobs, what kind of man is that, keeps a man from feedin’ his family?”

  Odd logic coming from a man who abandoned his own family not only that summer but every spring and summer thereafter, when baseball season started. And didn’t you finally abandon them permanently in 1916? The way I understand it, you haven’t even been home for a visit in twenty-two years.

  “There are reasons. That stone. The soldiers would’ve shot me. And I had to play ball—it’s what I did. Then I dropped my baby son and he died and I couldn’t face that.”

  A coward, he’ll run.

  “Francis is no coward. He had his reasons and they were goddamn good ones.”

  You have no serious arguments to justify what you did.

  “I got arguments,” Francis yelled, “I got arguments.”

  “Whatayou got arguments about?” Rudy asked.

  “Down there,” Francis said, pointing toward the tracks beyond the carbarns, “I was in this boxcar and didn’t know where I was goin’ except north, but it seemed I was safe. It wa
sn’t movin’ very fast or else I couldn’t of got into it. I’m lookin’ out, and up there ahead I see this young fella runnin’ like hell, runnin’ like I’d just run, and I see two guys chasm’ him, and one of them two doin’ the chasm’ looks like a cop and he’s shootin’. Stoppin’ and shootin’. But this fella keeps runnin’, and we’re gettin’ to him when I see another one right behind him. They’re both headin’ for the train, and I peek around the door, careful so’s I don’t got me shot, and I see the first one grab hold of a ladder on one of the cars, and he’s up, he’s up, and they’re still shootin,’ and then damn if we don’t cross that road just about the time the second fella gets to the car I’m ridin’ in, and he yells up to me: Help me, help me, and they’re shootin’ like sonsabitches at him and sure as hell I help him, they’re gonna shoot at me too.”

  “What’d you do?” Rudy asked.

  “I slid on my belly over to the edge of the car, givin’ them shooters a thin target, and I give that fella a hand, and he’s grabbin’ at it, almost grabbin’ it, and I’m almost gettin’ a full purchase on him, and then whango bango, they shoot him right in the back and that’s all she wrote. Katie bar the door. Too wet to plow. He’s all done, that fella, and I roll around back in the car and don’t find out till we get to Whitehall, when the other fella drops into my boxcar, that they both was prisoners and they was on their way to the county jail in Albany. But then there was this big trolley strike with shootin’ and stuff because some guy threw a stone and killed a scab. And that got this mob of people in the street all mixed up and crazy and they was runnin’ every which way and the deputies guardin’ these two boys got a little careless and so off went the boys. They run and hid awhile and then lit out and run some more, about three miles or so, same as me, and them deputies picked up on ‘em and kept right after them all the way. They never did get that first fella. He went to Dayton with me, ‘preciated what I tried to do for his buddy and even stole two chickens when we laid over in some switchyards somewheres and got us a fine meal. We cooked it up right in the boxcar. He was a murderer, that fella. Strangled some lady in Selkirk and couldn’t say why he done it. The one that got shot in the back, he was a horse thief.”

  “I guess you been mixed up in a lot of violence,” Rudy said.

  “If it draws blood or breaks heads,” said Francis, “I know how it tastes.”

  The horse thief was named Aldo Campione, an immigrant from the town of Teramo in the Abruzzi. He’d come to America to seek his fortune and found work building the Barge Canal. But as a country soul he was distracted by an equine opportunity in the town of Coeymans, was promptly caught, jailed, transported to Albany for trial, and shot in the back escaping. His lesson to Francis was this: that life is full of caprice and missed connections, that thievery is wrong, especially if you get caught, that even Italians cannot outrun bullets, that a proffered hand in a moment of need is a beautiful thing. All this Francis knew well enough, and so the truest lesson of Aldo Campione resided not in intellected fact but in spectacle; for Francis can still remember Aldo’s face as it came toward him. It looked like his own, which is perhaps why Francis put himself in jeopardy: to save his own face with his own hand. On came Aldo toward the open boxcar door. Out went the hand of Francis Phelan. It touched the curved fingers of Aldo’s right hand. Francis’s fingers curved and pulled. And there was tension. Tension! On came Aldo yielding to that tension, on and on and lift! Leap! Pull, Francis, pull! And then up, yes up! The grip was solid. The man was in the air, flying toward safety on the great right hand of Francis Phelan. And then whango bango and he let go. Whango bango and he’s down, and he’s rolling, and he’s dead. Katie bar the door.

  When the bus stopped at the corner of Broadway and Columbia Street, the corner where that infamous trolley was caught between flaming bedsheets, Aldo Campione boarded. He was clad in a white flannel suit, white shirt, and white necktie, and his hair was slicked down with brilliantine. Francis knew instantly that this was not the white of innocence but of humility. The man had been of low birth, low estate, and committed a low crime that had earned him the lowliest of deaths in the dust. Over there on the other side they must’ve give him a new suit. And here he came down the aisle and stopped at the seats where Rudy and Francis sat. He reached out his hand in a gesture to Francis that was ambiguous. It might have been a simple Abruzzian greeting. Or was it a threat, or a warning? It might have been an offer of belated gratitude, or even a show of compassion for a man like Francis who had lived long (for him), suffered much, and was inching toward death. It might have been a gesture of grace, urging, or even welcoming Francis into the next. And at this thought, Francis, who had raised his hand to meet Aldo’s, withdrew it.

  “I ain’t shakin’ hands with no dead horse thief,” he said.

  “I ain’t no horse thief,” Rudy said.

  “Well you look like one,” Francis said.

  By then the bus was at Madison Avenue and Broadway, and Rudy and Francis stepped out into the frosty darkness of six o’clock on, the final night of October 1938, the unruly night when grace is always in short supply, and the old and the new dead walk abroad in this land.

  o o o

  In the dust and sand of a grassless vacant lot beside the Mission of Holy Redemption, a human form lay prostrate under a lighted mission window. The sprawl of the figure arrested Francis’s movement when he and Rudy saw it. Bodies in alleys, bodies in gutters, bodies anywhere, were part of his eternal landscape: a physical litany of the dead. This one belonged to a woman who seemed to be doing the dead man’s float in the dust: face down, arms forward, legs spread.

  “Hey,” Rudy said as they stopped. “That’s Sandra.”

  “Sandra who?” said Francis.

  “Sandra There-ain’t-no-more. She’s only got one name, like Helen. She’s an Eskimo.”

  “You dizzy bastard. Everybody’s an Eskimo or a Cherokee.”

  “No, that’s the straight poop. She used to work up in Alaska when they were buildin’ roads.”

  “She dead?”

  Rudy bent down, picked up Sandra’s hand and held it. Sandra pulled it away from him.

  “No,” Rudy said, “she ain’t dead.”

  “Then you better get up outa there, Sandra,” Francis said, “or the dogs’ll eat your ass off.”

  Sandra didn’t move. Her hair streamed out of her inertness, long, yellow-white wisps floating in the dust, her faded and filthy cotton housedress twisted above the back of her knees, revealing stockings so full of holes and runs that they had lost their integrity as stockings. Over her dress she wore two sweaters, both stained and tattered. She lacked a left shoe. Rudy bent over and tapped her on the shoulder.

  “Hey Sandra, it’s me, Rudy. You know me?”

  “Hnnn,” said Sandra.

  “You all right? You sick or anything, or just drunk?”

  “Dnnn,” said Sandra.

  “She’s just drunk,” Rudy said, standing up. “She can’t hold it no more. She falls over.”

  “She’ll freeze there and the dogs’ll come along and eat her ass off,” Francis said.

  “What dogs?” Rudy asked.

  “The dogs, the dogs. Ain’t you seen them?”

  “I don’t see too many dogs. I like cats. I see a lotta cats.”

  “If she’s drunk she can’t go inside the mission,” Francis said.

  “That’s right,” said Rudy. “She comes in drunk, he kicks her right out. He hates drunk women more’n he hates us.”

  “Why the hell’s he preachin’ if he don’t preach to people that need it?”

  “Drunks don’t need it,” Rudy said. “How’d you like to preach to a room full of bums like her?”

  “She a bum or just on a heavy drunk?”

  “She’s a bum.”

  “She looks like a bum.”

  “She’s been a bum all her life.”

  “No,” said Francis. “Nobody’s a bum all their life. She hada been somethin’ once.”

  �
��She was a whore before she was a bum.”

  “And what about before she was a whore?”

  “I don’t know,” Rudy said. “She just talks about whorin’ in Alaska. Before that I guess she was just a little kid.”

  “Then that’s somethin’. A little kid’s somethin’ that ain’t a bum or a whore.”

  Francis saw Sandra’s missing shoe in the shadows and retrieved it. He set it beside her left foot, then squatted and spoke into her left ear.

  “You gonna freeze here tonight, you know that? Gonna be frost, freezin’ weather. Could even snow. You hear? You oughta get yourself inside someplace outa the cold. Look, I slept the last two nights in the weeds and it was awful cold, but tonight’s colder already than it was either of them nights. My hands is half froze and I only been walkin’ two blocks. Sandra? You hear what I’m sayin’? If I got you a cup of hot soup would you drink it? Could you? You don’t look like you could but maybe you could. Get a little hot soup in, you don’t freeze so fast. Or maybe you wanna freeze tonight, maybe that’s why you’re layin’ in the goddamn dust. You don’t even have any weeds to keep the wind outa your ears. I like them deep weeds when I sleep outside. You want some soup?”

  Sandra turned her head and with one eye looked up at Francis.

  “Who you?”

  “I’m just a bum,” Francis said. “But I’m sober and I can get you some soup.”

  “Get me a drink?”

  “No, I ain’t got money for that.”

  “Then soup.”

  “You wanna stand up?”

  “No. I’ll wait here.”

  “You’re gettin’ all dusty.”

  “That’s good.”

  “Whatever you say,” Francis said, standing up. “But watch out for them dogs.”

  She whimpered as Rudy and Francis left the lot. The night sky was black as a bat and the wind was bringing ice to the world. Francis admitted the futility of preaching to Sandra. Who could preach to Francis in the weeds? But that don’t make it right that she can’t go inside to get warm. Just because you’re drunk don’t mean you ain’t cold.